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LWL Cultural Fellowships 2025

New Impulses from the Independent Scene for Westphalia-Lippe

The LWL Cultural Fellowships are aimed at professional artists from all disciplines who live and work in Westphalia-Lippe and who would like to engage with the region in an artistic and open-ended way in 2025 as part of the anniversary year "1250 Years of Westphalia". What techniques, practices and traditions can be found in the region? What characterises Westphalia-Lippe today as a place of artistic creation? These and other questions can be addressed.

Artists were selected for four programmatic profiles: emerging artists; senior professionals; dramaturgy / curation / artistic production; network in rural areas.

The fellowship period runs from March to December 2025 and is accompanied by a public cultural programme - more on this shortly.

Fellows 2025

Eren Akşahin (profile emerging artists)

Eren Akşahin is a multi-instrumentalist and composer. In his projects and works, he combines the influences of Anatolian folk music with his own vision of sound and aesthetics. He studied world music at the Rotterdam Conservatory and deepened his expertise with his instrument, the bağlama. Most recently, he directed projects such as the play ‘Die Optimistinnen’ at Bielefeld Theatre and the concert series ‘Cemal Cemale 4’ and has performed in many musical constellations.

As part of the LWL Cultural Fellowship, Eren Akşahin wants to compose a musical narrative for an ensemble of traditional oriental instruments. It will be a musical and interdisciplinary reinterpretation of Fariduddin Attar's ‘Conference of the Birds’.

Eren Akşahin

Dorothee Bielfeld (profile senior professional)

After training as a stone sculptor, Dorothee Bielfeld studied architecture in Darmstadt and London. She has been working as a freelance sculptor since 2000, focussing in particular on space and communication in her artistic work.

As part of her scholarship, she is working with clay as a material. She is fascinated by clay because of its regional tradition and its aesthetic appearance; clay is environmentally friendly, conserves resources and is harmless to health. In addition to learning traditional craft techniques, the focus is on artistic experiments: Dorothee Bielfeld will create designs for a walk-in sculpture that opens up to the sky - the traditional Westphalian dish ‘himmel und erde’ (sky and earth) is the inspiration for the working title.

Zu sehen ist die Künstlerin Dorothee Bielfeld.

Miriam Michel (profile senior professional)

Miriam Michel studied theatre studies, sociology and American studies as well as scenic research. She has been working as a director, performer, dramaturge, lecturer and author in theatre and the independent scene since 2005. She was part of the collective dorisdean, which she founded in 2006. She explores the world around her in writing, images, sound and collages.

During the scholarship period, Miriam Michel focuses on women who were born in Westphalia between 1945 and 1955. She is interested in the daughters of the ‘first post-war period’ because of their often ‘invisible’ social influence. As children, they experienced the ‘rubble’, the economic miracle and the 1968 movement. As guest workers, countesses, mothers and care-takers, politicians and workers, these ‘silent fighters’, as the project is called, helped to shape their time and set the course for the future. What regional differences can be discovered between the countryside and the city, between Bochum and the Teutoburg Forest?

Die Künstlerin Miriam Michel vor gelbem Hintergrund.

Kirsten Möller and Klaas Werner (profile dramaturgy / curation / artistic production)

Kirsten Möller is a theatre maker and dramaturge. She has worked at Schauspiel Dortmund and in numerous independent theatre projects with a focus on digital and interactive theatre forms. Klaas Werner is a theatre maker and works with media art. He is interested in questions of digital storytelling and unusual formats. As part of the Anna Kpok group, they work on interactive (play) spaces.

‘My city is (not) a scoop in travel catalogues‘ - based on this quote by Ilse Kibgis, Kirsten Möller and Klaas Werner are looking at women workers’ literature in the colliery housing estates. What stories lie dormant in the archives? How do we move through the artificial village structures of the garden cities - today tourist destinations, then also a bridge between Westphalia and the Ruhr area, between the countryside and the city? The aim of the research is to create concepts for audiovisual walks in which literature can be experienced like a poetic map in the landscape.

Kirsten Möller und Klaas Werner von Anna Kpok

Franziska Jäger (profile network in rural areas)

Franziska Jäger challenges the perception of forms with her paintings and prints. She studied art history, art/art education and art and communication at the University of Osnabrück. Since then, she has had exhibitions in Germany and in Italy, Austria and Switzerland, among other countries.

With her project ‘’Printmaking Connections‘’, Franziska Jäger wants to establish a network for printmakers in rural areas that promotes exchange between artists and enables collaboration with local actors. Mutual visits to studios, joint workshops and museum visits are planned. 

Die Künstlerin Franziska Jäger

Counselling and Contact

Simone Schiffer

Svenja Boer

svenja.boer@lwl.org

0251 591-4086

Dr. Friederike Maßling

Head of the Department of Cultural Promotion and Cultural Partnerships, Managing Director of the LWL Cultural Foundation

1250 Years of Westphalia

The "LWL Cultural Fellowships 2025" are funded by the LWL Cultural Foundation as part of the cultural program for the anniversary year "1250 Years of Westphalia". The patron of the cultural programme is Federal President Frank-Walter Steinmeier.